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Vogue / Conde Nast

Condé Nast is a global media company that produces some of the world's leading print, digital, video and social brands. These include Vogue, GQ, The New Yorker, Vanity Fair, Wired and Architectural Digest (AD), Condé Nast Traveler and La Cucina Italiana, among others.

I worked with Conde Nast creating content for vogue international. I was hired to work alongside the post team as an editor and colourist.

One thing which was needed across every edit was multiple exports and versions of each edit. This would be across 8 different languages, YouTube, Facebook and IGTV versions which needed a lot of project organisation to make sure that all exports were made on time and without issue.

Jessica Alba’s At-Home Self-Care Beauty Routine | British Vogue

Clean-beauty fan and The Honest Company co-founder Jessica Alba shares her skin-care rituals with Vogue from her home in Los Angeles. From her favourite face-contouring tools to her go-to products, watch Alba break down her step-by-step guide for the ultimate at-home self-care session.

With this piece my role was to work on the final amends to craft the finished edit and then to set the look and then grade the piece. After the edit was done I had to deliver the edit in over 24 different versions.

Barbie Ferreira Gets Ready For The Givenchy Show | British Vogue

While in Paris for fashion week, model and actress Barbie Ferreira gets ready to attend her first runway show for Givenchy. Vogue joins the 'Euphoria' star as she talks through her full look with her stylist, plus preps her hair and makeup before heading out to see the autumn/winter 2020

My role on this film was to do the second pass on the edit and take it through to delivery. I crafted the style and feel of this piece from the first draft, then created the look and graded the piece. After the edit was done I had to deliver the edit in over 24 different version.

A Perfect Night In With Nicole Richie

On this project I worked primarily on the grade as well as delivering the final versions. I worked alongside the Creative Director in setting the look and making this look constant over the whole edit.

After the edit was done I had to deliver the edit in over 24 different version.

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